How much can you really know about another person? The ominous truth is that even those closest to us harbor chilling dimensions and in this film is exactly what drives this fear trip.
WKYA stars Jackie (Hannah Emily Anderson) and Jules (Brittany Allen) as a couple celebrating their one year anniversary at a secluded cabin in the woods belonging to Jackie’s family.From the moment they arrive, something changes in Jules’ normally loving wife, as Jackie (if that even is her real name) begins to reveal a dark side—all building up to a shocking revelation that will pit Jules against the woman she loves most in a terrifying fight to survive. Defying expectations at every turn, Director Colin Minihan delivers a nerve-twisting cat and mouse thriller built around a shattering tale of heartbreak and betrayal.
Writer/director Colin Minihan leaves behind the supernatural (Grave Encounters) and apocalyptic (It Stains the Sand Red) to deliver his best film yet with a tale that grounds its terror against a more realistic landscape.Jackie (Hannah Emily Anderson) and Jules (Brittany Allen) come to a remote house in the woods for a weekend celebration of their love.
The well-appointed cabin belonged to Jackie’s grandfather, but she hasn’t been back up in years — something Jules discovers when a “neighbor” from across the lake comes calling late one night. The fact that Jackie was previously known as Megan is only the first piece of information that Jules learns about the love of her life.
The next might actually leave her with no life at all.What Keeps You Alive wisely affords its first act to introducing protagonists with care and affection before shifting gears and becoming a tight little tale of survival.
There are some bumps along the way, but it’s more often than not a compact, well-shot thriller that highlights the danger of making promises “til death do us part.”The aforementioned bumps come in three varieties. Most egregious and commonplace is the abundance of lazy music stingers meant to tell audiences when to jump, be scared, and have a reaction. The practice isn’t unique to Minihan’s filmography, but he does seem overly reliant on its use.
There are some frustrating character beats as more than once they allow violence to happen without even trying to fight back.There is no Fight/or Flight in Jules.
Lastly, and least(ly), the end goes on a bit too long after what feels like a natural conclusion. It’s not a major issue.The film’s strengths outweigh any perceived weaknesses thanks to attractive direction, tight writing, and a pair of compelling lead performances.
There are several WTF moments thought with characters repeating age ol tropes found in Horror movies. I won;t outline the because they are fairly obvious as you watch the film.